On November 5th, 2009 Tyler R. Tichelaar and Victor R. Volkman spoke with Toronto-based educator and print, radio, and TV journalist Donna Kakonge about how any writer can successfully refocus their work into the freelance journalism marketplace. She believes that you CAN break into the journalism business without having to have a specialist bachelor’s degree in the subject. Donna has been involved in the Canadian Broadcasting Corporation (CBC) and Radio Canada International (RCI) on and off for 15 years at the local, national and international levels of both television and radio. She has also worked for the Discovery Channel and Discovery Channel International, Vision TV, the BBC and various publications around the world. Key talking points of tonight’s talk were:
- How can I educate myself to start a career in journalism?
- What important trade associations can help me on my journey?
- Besides book writing, what other kinds of journalism are out there now today?
- Should I establish some sort of business identity?
- Can I make money just form my blogs?
- What about rejection, how do you deal with it?
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Donna Kakonge started writing seriously at the age of seven. Her grade two teacher, Mrs. Chen, had the whole class keep a journal. She wrote a story about dinosaurs that Mrs. Chen deemed “outstanding.” Ever since then, she has been hooked.She went to journalism school at Carleton University in Ottawa, Canada where she graduated with the Marjorie Nichols Award for being the student with the most promise of becoming an exceptional journalist. She has also been nominated for a Gemini Award (the Canadian version of the Emmy) for work done with the Discovery Channel and has been part of a W Network project “Tell it Like it Is” that won a Hugo Award.Her education continued with a master of arts in media studies and communications from Concordia University in Montreal, Canada. Her thesis was on the politics of black hair. She has written 31 books, one of them called What Happened to the Afro? that gives a different side to Chris Rock’s docu
mentary Good Hair. She has also edited Being Healthy: Selected Works from the Internet and has a book called How to Write Creative Non-fiction is published by Lulu. You can find her books on Amazon.com and other fin e-tailers.She can speak both French and English, a bit of Italian and Spanish. She has received a Quebecor Documentary Fellowship from DOC Toronto. She currently teaches at Seneca College and Centennial College in Toronto. Her subject areas are writing and broadcast. |
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On October 1st, 2009 Tyler R. Tichelaar and Victor R. Volkman spoke with Paul Muckley, senior editor for non-fiction at Barbour Publishing, a Christian book publisher. He helped answer some key questions that face authors entering the Christian book market, including
- What exactly is a “Christian audience”? How narrow—or broad—is that category?
- What really is a “Christian book”? What does a “Christian book” include, or exclude?
- How does Christian fiction differ from secular fiction? What is included or excluded from a specifically “Christian” novel?
- How does one’s Christian faith “come through” in a manuscript? What should—and shouldn’t—be done in assembling a manuscript?
- How can an author know whether his or her idea fits a particular Christian publisher’s niche?
- What does a publisher want to see in a book proposal? What helps—or hurts—a prospective author’s submission?
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| Paul Muckley works at Barbour Publishing overseeing projects ranging from Bible reference to children’s activity books, daily devotionals to Bible crosswords and word searches. He’s been with Barbour since 1998. Paul and his wife, Laurie, have adopted three children, and like to serve as unofficial ambassadors for adoption. |
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On September 21st, 2009 Tyler R. Tichelaar and Irene Watson spoke with international freelancer and editor Moira Allen. Allen is the host and editor of Writing-World.com, one of the world’s most popular websites for writers. She helped us understand key points that freelancer must know to enter this lucrative market, including:
- Why target international markets?
- Where do you locate international markets?
- What do you need to consider when targeting an international market?
- What about format and language issues?
- How do you contact/pitch to an international market?
- What are the rights issues you need to keep in mind?
- How do you get paid?
- What are some pitfalls of the international marketplace?
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| Moira Allen has been writing professionally for more than 30 years, and is the author of several books on writing, including Starting Your Career as a Freelance Writer and The Writer’s Guide to Queries, Pitches and Proposals, both from Allworth Press. Moira has been dealing with international writers and markets for many years, and was the editor of Global Writers Ink, a newsletter geared toward the international writer. |
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